They Toss Tea Blenders, Don’t They?

Thoughts on blending an American icon

How do you go about creating a tea to commemorate one of the defining moments in American history?

My commission as tea master for the new Boston Tea Party Ships & Museum included the not-so-small assignment of composing a signature tea to be served in the museum tea room. Here are the guidelines I faced in creating an iconic tea blend:

It must be reminiscent of the East India Company teas imported into Boston in 1773;

  • It must be appealing to a contemporary audience;
  • It must be suitable to be served either hot or iced;
  • It must be packaged in both loose form and pyramid teabags for resale; and
  • It must be formulated to easily steep 50-80 gallons of tea each day for guests in the museum’s tea room, Abigail’s

Sounds easy, doesn’t it?

Some decisions came quickly. All the East India Company teas tossed overboard on December 16, 1773 were three or four years old by the time they arrived in the Boston. That was one stale characteristic I chose not to emulate!

I could have started with either green or black teas because the three ships carried both. But black tea seemed the obvious choice as it would be the most familiar to our international audience. The East India Company teas originated in China rather than India. (Commercial tea operations would not begin in India until the next century.) An earthy Chinese black tea base immediately appealed to my tastes and that’s where I began building my palette of tea colors.

Chinese black teas often need to be tempered for a contemporary audience raised on Lipton or Luzianne. I added a bit of Nilgiri India tea to lighten the profile, and small amounts of Kenyan and Assam India teas were included to give those breakfast tea notes our British guests would recognize. It took three months and four adaptations to get the recipe just right for my clients. Teas were sourced, labels designed, packages printed and, in record time, Abigail’s Blend – as in Abigail Adams – went into full production for the museum opening.

On the day the Abigail’s Blend was being packaged in my Kentucky operation, I slipped away for a quick lunch at a neighborhood chain restaurant. At the beverage station, a shiny new self-service tea dispenser was lit up with four buttons offering iced tea, sweetened tea, raspberry tea, and peach white tea. The tea company’s logo touted “Enjoy the taste of real tea.”

They should have been sued for tea malpractice! The electronic contraption only succeeded in artificially flavoring cold water to make it undrinkable.

Most restaurant suppliers would scoff at the time and effort I put into making the Boston tea experience as authentic as possible. After all, a couple of high tech tea dispensers spewing out artificially sweetened flavored water would have been just fine for most folks.

But this is the chance of a lifetime for a tea blender.  I want to get it right, and maybe remind visitors of the oft-neglected taste of real tea.

And if the guests at Abigail’s Tea Room are disappointed, I only hope they don’t toss the tea blender overboard!

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Museum Contributor

MSN calls Bruce Richardson "A leading tea expert involved in tea's American renaissance for over 25 years." The native Kentuckian is a writer, photographer, tea blender, and frequent guest speaker at tea events across the globe. He can often be found appearing on television and radio talk shows, or as a guest speaker at professional seminars such as World Tea Expo and China Global Tea Fair. He is the author of over a dozen books on the subject of tea. Mr. Richardson serves as Tea Master for the Boston Tea Party Ships & Museum.

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